Sunday, March 3, 2013

Cave Underhill (1634-1710)



Cave Underhill (1634-1710) was born in the parish of St. Andrew, Holborn, on March 17, 1634,[i] the only son of Nicholas Underhill, a London clothworker.[ii] He was admitted to Merchant Taylor's School in January 1644-45.[iii] Records of the Drapers’ Company show “Nicholas Underhill of Cow Lane musitian” was apprenticed to his father John Underhill and admitted to freedom on February 22, 1631.[iv]

Cave Undehrill was among a company established by Rhodes in June 1660, and which was later taken over by Sir William Davenant.[v]  Later he was a leading member of the Duke of York’s company in 1661, being a principal player of comedic parts. Sir William D’Avenant is recalled as having “judged Underhill the truest comedian in the company.”[vi] There is some speculation that Cave Underhill may have had a hand in the composition of Win Her and Take Her also attributed to D’Avenant.[vii] William D’Avenant and Dryden are remembered as having altered The Tempest, and Cave Underhill is recorded as playing Trinculo in the first performance.[viii]

Later he married Elizabeth Robinson of St. James, Clerkenwell, November 17, 1664. Robinson was widow of Thomas Robinson, a vintner in Cheapside. She died October 1673, at which time Cave Underhill appears to have been living in Salisbury Court (Smyth Obituary Camden Soc. P. 100).

A portrait is reputed to have been done of him by Robert Bing and placed in the Garrick Club.[ix],[x],[xi]  
A June 3, 1709, performance of Hamlet was given at Drury Lane, “for the benefit of Cave Underhill, the old comedian.” He played the role of first Grave-digger once more, and again repeated this role on February 23, 1710.[xii] He was last seen on August 26, 1710, at Pinkethmans booth at Greenwich. This was his last appearance, and he died soon thereafter. 

Editor's Note: Whether Cave Underhill was the actual given and legal name or an assumed name is unknown. There are no known direct relations between "Cave Underhill" and other known members of the Underhill family from this time.



[iii] Register of Merchant Taylor's School School ed Rev CJ Rohinson 1882
[vii] Audience Deception and Farce in John Lacy’s Sir Hercules Buffon by Juan Antonio Prieto Pablos, Atlantis, June 2005. http://www.atlantisjournal.org/Papers/27_1/065-078%20Prieto.pdf

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